every time you passed it to a function.
It was the same ethos I’d observed driving those academics to historicize or “complicate” the image of Shakespeare as the ultimate modern genius. Indeed, the academy’s general rejection of Bloom himself seemed little different from its need to limit the preeminence of the Bard, or even the idea of a Western canon itself. Certainly, that nebulous web that made up the aftermath of modernism—from poststructuralism to deconstruction, feminist and postcolonial theory and the New Historicism—had plenty of reasonable claims to updating what had been a mostly white, Christian, male field. And yet they all seemed too late, left exhuming a corpse the modern era had already carved up and killed. These disciplines weren’t producing anything new. They’d developed many refined and philosophically dense ways of dissecting their subjects—often to the point of undermining their own initial reasons for studying them. But the proliferation of all these exhaustive interpretative methods appeared like nothing so much as the deeply anxious work of professionals who could never quite admit to their own essential belatedness.。关于这个话题，新收录的资料提供了深入分析
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